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In addition to performing, Jennifer is a highly sought-after teacher who works with students in person and online. She explains how her career evolved by her willingness to embrace new opportunities and “say yes to everything.” I ask how she balances this busy schedule, fits in her writing, and manages her ongoing creative projects. Jennifer also shares her plans for future books, giving us a glimpse into what’s next for her as a writer.

In Part 2 (Exclusive Subscriber Content), we get into Mark's approach to rehearsals and auditions, especially for the Eastman Wind Ensemble’s tours and recordings. We also delve into the fascinating history of the ensemble, starting with its founder, Frederick Fennell, and continuing through the influence of Mark’s mentor, Donald Hunsberger. Finally, Mark reflects on his close friendship with renowned composer Karel Husa and their creative collaborations.

In Part 2 (for Subscribers), we dive into more personal and professional aspects of their careers, including the role of agents and how those relationships have shaped their journeys. Martin shares his thoughts on the differences between working with instrumentalists and singers, and both of them reflect on the various stages of talent development. We also talk about their favorite composers, and Martin offers a thoughtful perspective on teaching, explaining that it's less about providing answers and more about asking the right questions. Throughout, Frederica and Martin’s deep connection shines through, with plenty of laughter sprinkled along the way.

Part 2 turns to another key part of Jeffrey’s career — teaching. We also dig into a question that musicians often grapple with: how much freedom should a performer take when interpreting a composer’s work? Finally, we end on a high note, discussing two unique pieces Jeffrey has been closely involved with: Leroy Anderson’s Concerto in C and Peter Schickele’s Concerto for Very Grand Piano (you might know him as Mr. PDQ Bach).

In Part 2, I ask Ed a thought-provoking question: if he were a student today, knowing what he knows now, what would he do differently? His answer leads us into a rich discussion about music and interpretation that goes beyond the trumpet. We wrap up our conversation by delving into Ed’s significant contribution to the trumpet community—Chosen Vale, a project that has left a lasting impact on musicians everywhere.

In Part 2, Clayton delves into the profound challenges he faced after being diagnosed with Focal Dystonia. Drawing inspiration from the legendary guitarist Django Reinhardt, who famously played with only two fingers on his left hand, Clayton reimagined his own technique to continue playing the violin at an exceptional level. He shares the physical and mental strategies that enabled him to overcome this seemingly insurmountable obstacle. Beyond the technical adjustments, Clayton talks about his deep musical connection with the members of an assisted living community.

In Part 2, Nina shares insights from her 150-200 performances as Suzuki in "Madame Butterfly," comparing her early days in the role to her current approach. We also discuss the complexities of starting an opera career, which involves much more than just singing—understanding the business side is crucial. Throughout our conversation, Nina speaks about her husband Jeff, a hornist with the Canadian Brass and a Professor at Indiana University, and how they support each other in their musical and personal lives.